First publication to gather all theatrical works by artist Guy de Cointet, the book presents 25 plays in chronological order, each published with an explanatory apparatus and numerous documents.

“Thinking under Turbulence” brings together voices and moments from the colloquium of the same name organized by the CCC Research Master at HEAD–Genève.

‘How to talk about Acid Techno & how to make it? Rave parties. TB-303. Disorder. Life and death instinct. Secret societies. Chaos. Childhood. Noise. Blast. Love. ...“nothing but pure joy”’.

The exhibition “Countercultures 1969-1989 L’Esprit français” is an extensive documentation and analysis of two decades of post-68 critical, irreverent, dissenting, realms of creation in France.

Website for the CCC Research Master and PhD forum displaying a color-coded system for the navigation.

Publication for Navez housing by the architects MSA and V+, recipients of the EUMies Award 2017, Emerging Prize.

Visual identity and website for a film distribution company.

“entrer:” is an exhibition that presents five architecture projects that were built recently in Belgium. The curatorial intent was to convey the materiality and spatiality of a place outside of its context through sound bites and films.

Website for architects Martinez Barat Lafore. Conceived as a single page application, it displays full screen images and factual informations.

Publication for the workshop Unité de Production at La Cambre School of architecture.

“Kairos Time” exhibition features twelve international artists based in Rotterdam. All the artist graduated from the Piet Zwart institute Master of Fine Art.

The belgian pavilion at the 14th International Architecture Exhibition of La Biennale di Venezia features an original study of domestic interiors in Belgium, based on a photographic survey made in 2014 throughout the country.

The project departs from a German Democratic Republic photographic archive. The archive consists of 250,000 pictures taken by freelance photographer Reinhard Mende, who was commissioned by GDR Kombinate to document East German industrial operations.

Arthur Zalewski’s contribution for the exhibition “Right to Refusal” is a poster-project that took place on the display boards of the city of Bregenz.

The exhibition “Right to Refusal” concerns the conditions under which the articulation of refusal takes place, both in topical themes and long-standing geopolitical conflicts as well as in everyday actions and artistic production.